The Wolf of Snow Hollow

Jim Cummings is back with his second film after the success of Thunder Road. The Wolf of Snow Hollow is an odd film, parked squarely across a couple of genres. It’s definitely a horror – a werewolf movie – but also a crime procedural, with lashings of humour, while having a strong dramatic storyline about struggling with addiction.

Like Thunder Road, Cummings stars as a small town cop hanging by a thread, but unlike his previous character who was worn out with grief and regret, in Snow Hollow he plays John, a recovering alcoholic who medicates himself with drink to deal with his anger. I know, angry cop on the edge, it’s a trope, but the writing and the performance just fleshes it all out into a three-dimensional person, someone you sympathise with even though they’re not very likeable. He’s struggling to follow in the footsteps of his father, the ailing sheriff, and balance his duties as a father whose relationship with his ex-wife has all but broken down. He wants to be a leader and someone to be respected, but he gets in his own way all the time, his anger is ever-present and his undoing. The writing balances the humour that comes out this ridiculous human condition with the genuine frustration and sorrow at being stuck as your own worst enemy.

Meanwhile, back to the werewolf, the gore and horror is beautifully done, with classic horror shots of the full moon reflected in a bloody paw print. Great watch for Halloween.

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