Author: gffreviews

  • The Good Postman

    A documentary about a postman who stands for mayor in his dying little village on the Bulgarian border with the plan to regenerate the community by hosting Syrian refugee families. This is met with a mixed reaction, some positive and some negative.

    He goes up against the incumbent and this absolute legend of a man who nicks about in trackies, leather jacket and dark specs, and who gives rousing political rallies to an empty field. “No refugees!” he shouts to one man on a cart who accidentally came by. “No refugees!” he shouts to two dogs sniffing each other’s arses. “Skype!” he promises if he’s elected. Communism and Skype.

    Despite being the main source of opposition to the resettlement plans, he is so welcome as the comic relief in this film, which is heartsick and sad. The postman does his best for everyone he meets, but he is sowing kindness in a world made of stone.

    In many ways his opponent provides the note of hope in this movie, because although he and the postman disagree on how to deal with the influx of refugees, he is at least engaged, he at least cares. He wants to build a better community too, he’s just fearful after years of disappointments that this will be one more blow rather than a resurrection. The incumbent mayor is asked her opinion on the refugee crisis: she has no opinion. What should be done to save the village? She has no opinion. Being mayor is just a job and she just goes to her office to draw her wage. In some ways, the take-away from the film is that those who support and those who oppose refugees have more in common with each other than career politicians just in it for the money. If little else, that’s a place to build from. 

  • Below Her Mouth

    Well, that fair wakes you up in the morning! Just out of Below Her Mouth, a hot as fuck erotic romance between semi-reformed rogue Dallas and closeted soon-to-be married woman Jasmine. Erika Linder is absolutely gorgeous as Dallas, the complete asshole you know you’re gonna fall for despite yourself. Everyone in this is fit as fuck, six-pack sporting. 90% of the scenes are folk without their kit on, sex scene after sex scene. It’s one of those movies that when you leave, you can’t look anybody in the eye. Ooft!

  • Bad Rap

    A documentary about Asian-American rappers. I found interesting the interplay between the hypermascinilised rap culture with the demasculinised racial stereotype of Asian men in a search for authentic representation of masculine identity. Side by side to that, Awkwafina has to go into that world where the stereotype for Asian women is massively sexualized, and the rap culture is pervasively misogynistic, and still be the Smurfette of the group. It’s a constant assembling and disassembling of gender, race and class to create a true voice.

    This is one of the few feature-length documentaries I’ve seen where I didn’t actually like how the documentary itself was made. It went on the defensive from the outset and stayed there far too long, gave little or no background to some of its main players, and seemed to lose focus, descending into a prolonged advert. While it’s definitely right that it showcase talent, it became muddled in its boundaries and could have done with reeling in. 

    That showing was full of weirdies too. One guy, I shit you not, came in, lay down on the floor, took off his jumper and started humming loudly. At first I was fucking envious, until I looked up from my phone to find him staring at me from between the crack in the seats. Get back Van Mattress!

    Luckily he left 20 minutes into the movie so I didn’t have to call for an adult.

  • Catfight

    A reverse of fortune movie. Much as I liked seeing Sandra Oh and Anne Heche star, because I think they’re really underutilised actors, the fact that everyone in this movie’s an asshole and no one really learns anything kinda leaves me flat. I know the point is the never-ending fight between the two main characters is a metaphor for America’s warmachine, a state of perpetual conflict which continues no matter how much is lost or how many meaniful things are torn down. But it’s so little payoff for two characters who’ve gone through so much to not progress at all. Mm.

  • Lady Macbeth

    Little does the main male character know when the mistress of the house walks in on him carrying out a sexual assault, she’ll be the scary one in their relationship. A violent sexual period drama, about life lived on nail ends and viscera, suffocated beneath the silence and subservience of Victorian decorum.

    The casting of Anna, the maid who is the nearest thing her mistress has to a friend and unwilling witness to all her crimes, with the outstanding black actress Naomi Ackie adds another level to the arc of the story. The mistress’s initial sympathetic struggle against the patriarchal system unravels into a self-serving reinforcement of class and colour as she sacrifices Anna’s sanity and life for her own comfort and well-being.

    Excellent film, Spartan told with certitude that no shot or line of dialogue is extraneous or delivered without purpose. Go see.

  • My Life As A Courgette

    A beautiful animation about children in care forging new families among friends. It’s not sugar-coated, the children bear the scars of their abuse, quite literally in some cases, but with the help of friends, they can survive and even heal. A hopeful, heartfelt film.

  • Liberation Day

    Liberation Day was fucking awesome! Utterly mad and very funny. Laibach become the first outside band to play North Korea, and it’s as weird as a self-fellating monkey. Have you ever seen a documentary where an interview is interrupted by a goat’s fart? I have.

  • Window Horses

    Window Horses, an animation about a Chinese-Canadian girl who is invited to read at an Iranian poetry festival, and goes on a journey learning more about her history, her family and herself. I did really well with this one, I lasted right up until the last 20 minutes before crying. It was so beautiful and so moving. It was about understanding beyond language; the intrinsic need to put feelings into words but the words themselves not being intrinsic to understanding the feelings. 

  • The Autopsy of Jane Doe

    Just out of The Autopsy of Jane Doe (alternatively titled Never Look A Gift Corpse In The Mouth). Hmmm . . . meh. A creepy story is jarringly paired with a jump-scare score – and you know my opinions on those. Brian Cox is great but both the threat and its resolution are too vague to make the story cohere into tangible dread and relief. Tis creepy yes, but not really satisfying.

  • Hello My Name Is Doris

    Fucking hilarious! Laughed my ass off! Such a feel good movie, you should definitely go see it. Has the kind of life-affirming vibe as something like Muriel’s Wedding. Highly recommend!

    Also like it for showing hipsters positively. Instead of wheeling out the lazy trope of cynicism and hyper-clique-iness, they’re people with passions and creativity and a culture welcoming the odd and discarded. They might seem ridiculous to others, but newsflash! we’re all ridiculous to others.

    Also: I AM DORIS.