The Toll

The Toll is crime comedy, a sort of Fargo meets Hot Fuzz, but with a dry, dark humour. Like an utterly parochial No Country For Old Men, where a simple plan turns to shit. Michael Smiley plays a toll booth collector on a stretch of unremarkable tarmac in the middle of buttfuck nowhere in Wales.…

My Favorite War

My Favorite War is an animated memoir of the director’s childhood in Soviet Latvia in the 1970s and 80s. It traces her inner journey from dedicated Communist Party follower to skeptical and rebellious agitator for the truth and democracy. It is a coming-of-age story, steeped in political history. The favourite war of the title is…

Mekong 2030

What to say about Mekong 2030? It is beautiful. Like, gorgeous. Worth the price of the ticket alone just visually. Mekong 2030 is 5 short stories centred on the Mekong River. Now, maybe you know more than me, but I didn’t have a scoob about the Mekong River before this movie. It’s fucking massive, stretching…

Spring Tide

Spring Tide is a portrait of the quiet psychological war of one family. Three generations of women live in one flat. The grandmother is a relentless hammer on the mother, irritated by her mere presence, emotionally abusive and spiteful for any perceived slight. The mother has grown silent through years of experience, knowing that engaging…

In The Shadows

In The Shadows is an old-school dystopia, like, 19th century dystopia. The central character is one of a community of miners, who live and work in the ravine of this quarry where the mine and its processing plant stands. Their entire life is focused on toil in this difficult and back-breaking work, for which they…

Minari

This is a beautiful film. I loved the family. There is such warmth. I loved the granny most of all. Minari is the story of Jacob and Monica, who chase the American dream by settling down to make their own farm in Arkansas. Their two children David and Anne take to it and love discovering…